Welcome to Wildfrolics

Magical meanderings of forest, desert, and shore, with Superball: runecaster, woods witch, and weaver of words


Mannaz, rune of magic

The adventures begin below. . . .


But first:

CONTACT INFO

Want notifications of new posts, or a divinatory rune reading?
Want to ask a reasonable question or to share a respectful thought?

Because I know only basic HTML, I don’t (yet?) know how to create a safe message form—or even whether Neocities supports form functionality—so at least for now, here are the ways to contact me:


A sweeping panorama of cloud-studded sky, quiet sea, and scrubland hills

The Frolics

(from most recent to most ancient)

Great art and thought have always been motivated by something other than mere moneymaking, even if moneymaking happened somewhere along the way. But our culture of instrumentality has settled like a thick fog over the idea that some activities are worth pursuing simply because they share in the beautiful, the good, or the true. . . . The pursuit of good and beautiful things for their own sake tends to overflow, to bring more goodness and beauty into being: one good poem can spark a dozen others, a great one a thousand.

—Joseph M. Keegin, “A Life of Splended Uselessness Is a Life Well Lived”

Breaking to Be Free

27 April 2024
And times will come when the container we’ve inhabited no longer fits, when what was previously nourishing has become confinement. Becoming a father was like this both times for me; the person I had been was the price of entry for who I was becoming.

—Daniel Foor,
Ancestral Medicine newsletter

I think I might be moving soon. My worky-work job has come to an end, so one way or another, you’ve caught me in an in-between space. A blood offering has been given.


Five drops of blood along a wooden floor and one drop of blood on the back of a bag of wildlife peanuts with the words “PREFERRED FEEDER” prominent

Though unsure of who I will be, I’m receding from who I was.


A pair of ravens along a weathered fence on a green headland over a rocky shore

I’m making a break for it.


The ravens from a greater distance, over a green expanse of ice plant

Are you coming?


A return to a closer view, with one of the ravens, on a post, looking back at the other raven, on a rocky rise

Oh good.


A view from a distance again, with the ravens on posts next to each other

I wasn’t sure. I would have been fine if not—I always am—but I like it better when you’re here.


One raven on a post before an expanse of sea

I feel less alone.


The same raven, closer up

Plus you’re endlessly fascinating. Enigmatic.


The raven pecking at something on the post

Nice to look at.


The raven posing handsomely

This is our way, then.


A view up the coast, the other direction, with a wave crashing beyond a crosspost of the fence, which has two locks on it and a heart made of twisted wire, and two picnic tables in the foreground, one of which is engraved with “SWEET CHILD OF MINE”

On my way back to the car to find something to offer, there’s a ringing, with cherry on top.


A package for a cherry-flavored Ring Pop

A feather seems fitting.


A dark-gray one, wedged in with a smaller wire heart on the fence


Here Comes (More Than) Hope

18 March 2024

When was the last time you saw a unicorn? You can tell this is one masquerading as a horse, if you look closely at her shadow.


A beam of sunlight making a horse’s shadow in the grass look faintly like it has a horn

I come from a world of stories.

I have sailed across a sea of words
to ask if you will come away with me.

—Oliver Jeffers,
A Child of Books

It’s been a long time since I’ve seen a unicorn—an auspicious sign for anyone inspired to embark upon something new. Are you, too, inspired to do something new? The twisted spire goes into your heart and makes you come alive.


A "Plot Twist" jar-candle (on top of "The Princess Bride")

This one is very well disguised. Here she is up close. You’d never guess, would you?


An ordinary-looking paint with a white forehead marking

Well, most people wouldn’t guess, but we’re not most people.


A lit jar-candle with a flame pointed like a unicorn's spire, on a counter next to two apples and a container of peanuts

We are in a fairytale.


A pair of humans between big oaks on a green hilltop, before the empty expanse of a sunlit sea

“It’s feeling more like a tail perhaps. It Belongs again, if you know what I mean.”

—Eeyore, in A. A. Milne's
Winnie-the-Pooh

There’s something to be said for being of a feather.


A pair of ravens on a snag

Here comes hope!


The ravens flying toward us

“Hope” is the thing with feathers—
That perches in the soul—
And sings the tune without the words—
And never stops—at all—

—Emily Dickinson


The ravens, closer

Closer.

We’ll follow them toward the edge of the Great Expanse. Hope, like smoke, follows beauty.



The ravens flying toward the sea

A watcher stands guard.



A hawk on a fence post

Two watchers stand guard.



Two buzzards on fence posts

Watchers are everywhere, guiding us wordlessly.



A hawk in a tree over a trail


A hawk in a tree over thick vegetation


A buzzard on a fence post, as seen through a window framed by a pink-blooming Christmas cactus


The buzzard looking slightly toward us


The buzzard looking directly at us


The buzzard looking at us, wings spread, making a T

And all around these impulsive life decisions dance little corrective serendipities that nudge me, this way and that, along the course of my life.

I once felt the path of existence was entirely random and unplanned, but now I am not so sure. At this stage in my life I feel these contingent decisions are amounting to something, that destiny is at work and, as the pieces fall mysteriously into place, that there is some sort of ultimate meaning. Life appears not random at all but part of a superior system, where the sum of these intuitions have an order, a greater purpose, an eventual orientation beyond what we ourselves can perceive. Even in the whorl of our own personal tragedies, when the cosmos appears at its most chaotic and impartial, I have come to see the world, in its complexity, rearranging itself toward meaning.

—Nick Cave,
The Red Hand Files Issue #269


A bright green dragon-eye at the top of a macramé hanging

Sometimes you learn that joy and terror are very close together. Sometimes you learn they fire at the same time, joy and fear and death and being alive, your stupid little cells illuminated from the inside like stained glass windows.

—Cat Hicks, “Covid Data Log”


Cats at a sliding glass door, eager to be fed, their eyes lit by a camera flash, looking demonic

Should Wilde, a man who enjoyed living off the grid, a man who really couldn’t connect to most people, open the door . . . ?

—Harlan Coben,
The Boy from the Woods

Watchers are not as scary as they might seem—and in facing fears, there’s growth.


My Grandma Faye was sitting beside me, humming a lullaby in a rocking chair made of moonlight that she’d brought with her from the afterlife. “All news is good news,” she whispered. “You’ll understand someday. . . .”

This I now know for certain: I do all of my growing during the times in my life when I am offering compassion to the parts of myself that have not yet grown. I have never once managed to shame myself into a version of me I loved more (and trust me, I spent decades trying). As Meg says, “Shame is never fertile soil for growth.” A better world is not created from a planet of people hating themselves, but hate’s opposite.

—Andrea Gibson, “How Did I Change So Much, So Quickly?”


Sprouts growing from dirt at the end of a sliding-glass door track



A cat huddled alone, forming a kind of T or mushroom-top on a low post of a rain-drenched deck’s retention wall

. . . His fearful reluctance crystallizes into curiosity, which finally melts into a warm wonderment . . . .

—Maria Popova, “A Child of Books: An Illustrated Love Letter to the Wondrous World of Words and Stories”



The cat basking in sunlight on pavement, as seen from within the doorway of a dark trailer

Loved by a person, loved by a plant, loved by a pet or a drunk or an aunt.

—Amanda Palmer, “I Am the Dr. Seuss of Love”



The sprouts transplanted to the ground, the tallest shining in sunlight

I am in the grass. On dry land. Safe. Held. Okay.

—Amanda Palmer, “ ‘NEW ZEALAND SURVIVAL SONGS’ Is OUT NOW”


Two mushrooms fruiting among green sprouts and vines

Sometimes we get things that we never could have imagined or deserved: broken cells, small loyal dogs, the strange aid of the prevalence of masks in science fiction, death wishes from strangers on the street, the knowledge that being loved by one person can’t fix you but it can still save you.

—Cat Hicks, “Covid Data Log”


The cat now in a box, wrapped like royalty in a hot-pink scarf

One day, looking around the ramshackle goat-house that is now his home, filled with books and wind, filled with a man’s paintings and a child’s love, Kent observes: “I don’t see why people need better homes than this.”

—Maria Popova, “Wilderness, Solitude, and Creativity”

It all keeps coming to a T.



A bluebird perched on an old power pole that is one T on top of another

A bluebird’s call echoes.



In a middle-distant cliff-house on a rocky shoreline, a picture window at which sits a man in a deep blue T-shirt—above a wooden structure with T supports

I said “goodbye” to those people who wanted me to succeed only in monetary and materialistic terms. I began traveling alone, finding solace and joy in my small cabin in the Yukon wilderness, a place far from judgments, where I could focus on joy, hope, healing, and spreading these values.

—Gurdeep Pandher, “True Joy Is Real Wealth, Not Those Fluctuating Numbers”

The time has come to go a new way, beyond the crossings of T’s—beyond all that is known.


In an unpublished paper from around 1961, Gödel asserts that “materialism is inclined to regard the world as an unordered and therefore meaningless heap of atoms.” . . . Despite living in a materialist age, Gödel was convinced that materialism was false, and thought further that his incompleteness theorems showed it to be highly unlikely. . . . Through his proof, he established by mathematically unquestionable standards that mathematics itself is infinite and new discoveries will always be possible. It is this result that shook the mathematical community to its core.

—Alexander T. Englert, “We’ll Meet Again”


A hawk flying high in a wide blue sky

Here, it’s okay—even thrilling—to crash, again and again.



Like these waves

Maybe you were laid off, or a relationship fell apart. Maybe a product didn’t work, or a conversation didn’t go well, or an idea didn’t land. You had a hypothesis. Something else happened instead. Now you’re in uncharted territory, learning the things you didn’t set out to learn—but those may be the best lessons of them all.

—Jason Feifer, “What If Every Failure Is Just An ‘Accidental Experiment?’ ”

Steps that seem to lead nowhere whisper of where we need to be.



Like a low ledge at the base of a seacliff

I am a stone worn down into a peculiar shape by millennia of erosion, with no specific purpose, and which can only be held and appreciated by a curious hand. I only seem defective in a world that picks up all the earth’s wonders and asks what it’s a tool for. I am not for anything. I just am. And so are all humans, and all living things on earth.

. . . Life will always exist. No matter how much we try to banish its chaos with Round Up and Lysol and bulldozers and microplastics and overprescribed antibiotics, living beings continue to creep into all the small gaps and sharp corners that capitalism has tried to erect.

—Devon Price, “My Disability Is Manufactured”

The steps stretch and recede.



A longer, farther flight to a higher ledge

They playfully draw nearer—or do they?



A little closer?

A stone is turned.



A stone dislodged from its place of long rest in a steep, damp, rugged trail

Reality ripples.



A flooded trail, rippling forward


The time has to be right; one has to be, by chance or intention, upon the border of two worlds. And sometimes these two borders may shift or interpenetrate and one sees the miraculous.

Loren Eiseley, “The Judgment of the Birds”

Worlds are within worlds.



As with feet in muddy water that reflects trees and sky

Down is up.


Up is sideways.



A black knit hat capping the end of a bridge railing


As he drifted down into the bone-chilling murk, his mind bifurcated. “One me was floating high above and could see everything: the sinking plane, the raft, people swimming. The other me was underwater. The above-me knew the below-me didn’t know the above-me existed. The above-me was giving instructions to the below-me in the form of a low voice in my head . . . .”

—Eric Lindner,
Tiger in the Sea

Here’s a piece of a world right now.



A bright blue speck on a rocky red trail

A blue thing that is two things.



A pale, bluish snail shell among redwood fronds, similar to the blue speck

Let’s go in!



A closeup of the speck, revealing marbled white in it, like clouds


A closeup of the snail shell

Wait: we’ll need to fuel up first—and we're nowhere near a 7-Eleven.


Nothing changes at a 7-Eleven. Time flows forward everywhere except in a 7-Eleven.

—Harlan Coben,
The Boy from the Woods

We are flowing forward. Fortunately, watchers feed each other (in different ways).



Hawk-and-photographer fuel (a rabbit) holding motionless on a grassy verge


Yet Murray refused to fall prey to the crutch of convention or “the fallacy of decisive action.” To his way of thinking, when it seemed like there was no time to think was just when pausing to think was most essential. It was counterintuitive, like steering into a skid.

—Eric Lindner,
Tiger in the Sea

It’s not always about taking action right away.



A stellar jay perched next to a line of peanuts, not taking yet

Sometimes you pause a moment in appreciation or to make sure it’s right to take.



A shell held up to the sea

The day is waning.



An otherworldly scene of low orange sunlight illuminating “parasitic” mistletoe in trees that cast long shadows under a sky the same colors as the blue thing

Articles and essays about mycoheterophic plants and Ghost Pipe usually say the plants “fool” the fungus or “steal” the sugar. . . .

We immediately characterize the Ghost Pipe as lazy or as a villain. . . .

But what if you can’t walk? What if you can’t bathe yourself or feed yourself? This isn’t a hypothetical to me. This is a lived experience. What does it feel like to know you are alive only because other people have nourished and cared for your body? . . .

Although it can’t be “weighed,” it feels good to help those that we love. It feels good to feel needed. Could the fungi, in some strange way, enjoy this relationship? Is there interstitial play between these two beings? . . .

My totally unsubstantiated feeling is that we are looking at mycoheterotrophs on a human scale. . . .

My deep intuition is that there is something invisible, and as of yet undocumented, happening between these two beings.

—Sophie Strand, "Ghost Pipe, Illness, and Mycoheterotrophy"

Let’s keep going. We have wetlands yet to wade, and a deepening portal to pass through.



Bare branches spanning a wide brown pool, beckoning toward a dark hollow formed by two white trees in a brightly lit green space

At times it seems as if the portal never comes any nearer. It hovers ahead, ominous or inviting.



A trail through thick vegetation toward a darker opening

Yet Dives himself, he too lives like a Czar in an ice palace made of frozen sighs . . . .

—Herman Melville,
Moby-Dick

Suddenly we are in it.



A ghostly tree trunk seen from within a dark room

We grievers know, Mark. . . . We understand the sense of having nowhere to rest our minds that is not full of the darkest treachery. We know what it’s like to be confronted with the impossibility of a future life and the feeling that things will never be bearable again. . . .

But I want to say something, and even though it will doubtless mean little to you at this moment, I hope in time you will look back and know I spoke a kind of truth. Some years have now passed since the loss of my own sons, and though gone from this world, I have come to understand that they still travel with me—they are with me now—but more than that, they have become the active participants in a slow but certain awakening of the spirit. It saddens me deeply that they never lived their own full lives, but though I would give anything to have them back, these departed souls ultimately served as a kind of saving force that revealed the world to Susie and me as a thing of outrageous beauty. I have found my relationship to the world enriched in a way that I never dreamed possible. I know this to be true, but I also know it is a truth beyond understanding in your time of fresh grief, and so I say these things with extreme caution and pray it doesn’t come across as a kind of glibness uttered into your despair.

It seems like Murray was a beautiful young man, a sensitive and vital being, and these are the saddest and most hopeless days you will experience, but I want you and your family to know this—if you can just hold together, I believe that life will get better for you, in ways you cannot yet comprehend. One day you will find Murray travelling with you, not just as a grief or a memory, but as an animating and guiding principle, allowing you to experience joy in a way you have never experienced it before. Be kind and patient and gentle and merciful with one another. Stay close. Hold firm. Forgive. Grief prepares the way. Joy will in time find you. It is searching for you, in the impossible darkness, even now.

—Nick Cave,
The Red Hand Files Issue #270

In breaking, we free pent-up floodwaters.



A tree weeping sap from a gash

A book must be the axe for the frozen sea inside us.

—Franz Kafka

The waters light the way.



A wet hillside trail toward the Sun over the ocean


A coastal ice plant blossom with the petals fallen off, such that its bright center resembles the Sun in a sea of green

I am bound, I am bound, for a distant shore
By a lonely isle, by a far Azore,

—Henry David Thoreau


A tiny rock island in a vast sea

There it is, there it is, the treasure I seek,
On the barren sands of a desolate creek

—Henry David Thoreau


A desolate stretch of sand and drift logs

But alone in distant woods or fields, I come to myself, I once more feel myself grandly related, and that cold and solitude are friends of mine.

—Henry David Thoreau

Something starts to shift—something unexpected, to arise.



A small mushroom-cluster in a lawn, at the feet of a young tree

I am grateful in a way that is wide and deep and low. I hope you can feel some sonorous note of it—the hum and grind of ice relaxing under the sun—in your body.

—Sophie Strand, "Ghost Pipe, Illness, and Mycoheterotrophy"

There—our people are waiting for us.



A gathering of silhouetted humans, somewhat resembling a mushroom-cluster, on an islandlike hill overlooking the sea

Get ready to join the jig of merry mushrooms who spread their gills to sing, and listen for the echoes of fairy laughter drifting between the trees.

The ring is nearly open. . . . Enchantment awaits.

Sea Witch Botanicals (my favorite incense-makers), announcing the Fae Ring incense to their mailing list

Transmutation springs up from the darkness beneath our feet.



Mushroom-clusters around a pair of bare feet at the edge of a lawn

Deep magic abounds in frothy little bits of undeniable joy.



A mushroom-cluster closeup

Joy as armour. Love as shelter. I don’t know. I hope so.

—Nick Cave,
The Red Hand Files Issue #271

It effervesces.



A bare foot under sea-foam, as if having generated it

Even in the darkness that lies beneath, a point of light shines.



Foamlike clouds over sunlight that’s peeking through dark trees

I know, it says.



Golden sunlight in a tree across a river, with two bubbles in the foreground

I know.


The night is beautiful beyond thought. All the bay is flooded with moonlight and in that pale glow the snowy mountains appear whiter than snow itself. The full moon is almost straight above us, and shining through the tree tops into our clearing makes the old stumps quite lovely with its quiet light. And the forest around is as black as the abyss.

—Rockwell Kent,
Wilderness


The full Moon in the center of an oak tree's crown above a foggy valley

The light of understanding seems so close now.



A trail past a wide, gnarled oak trunk toward a bright, Moon-round opening in dark vegetation

The reality is that you will grieve forever. You will not “get over” the loss of a loved one; you will learn to live with it. You will heal and you will rebuild yourself around the loss you have suffered. You will be whole again but you will never be the same. Nor should you be the same nor would you want to.

—Elizabeth Kübler-Ross

At last, almost without fanfare, we pass through.



A sweeping pattern of clouds over a shoreline seascape

The pain never leaves me, but the stories, and what they mean, and where they will take me, are starting to make more and more sense. . . .

—Amanda Palmer, "The State of All Things: January 2024"

A high place of windswept peace is laid out for us.



A lone picnic table under similarly sweeping clouds

We get the green light.



A green lens-flare beneath two empty riverside chairs under the Sun

A wish is granted.



A closeup of the chairs, with a ray of sunlight touching upon one

We find our love again.



A heart sketched with a stick in dirt at the foot of a sunlit bench


Now another woman has come into my life and for reasons that are mysterious and remote she has looked at all of this and said, “I would like to be with him.” She listens to me quietly as I evacuate my heart and with tender patience draws me close and tells me she will be the one who will not go. She too has memories of a childhood lived in pain, and hers have made her compassionate and free. And now when I reach out in the night I am reaching for her, for the creature that she is, with her wise sad face and her kindness, her grace. Perhaps now there is something to look forward to. Perhaps it is time to realize that this is good enough. Perhaps I have found myself at last on the other side of the rock, the side protected from the wind, and at last life’s depravations will blow harmlessly over my head and spin out over the plains where they can do no harm, and leave me alone. She is the rock.

—Freddie deBoer, "the lee of the stone"

Let’s rest in love for a moment.



The heart as seen from the bench, lit by a ray of sunlight

This story started when I heard her laughing. I didn’t know why she laughed then, but I’m starting, finally, to understand what was so damn funny.

—Rhyd Wildermuth, "Worlding into the Earth"


Under another sweeping sky, just past riverside rows of wooden chairs and picnic tables, a heron on a sand spit, gazing over the water

It’s a power spot.



Someone’s concentric sand circles


There is nothing in this world, nothing you have done, and nothing that has been done to you, nothing that you failed to do or that you did not receive, that could ever threaten or take away your inherent worthiness, your fundamental belonging to this world.

—Clementine Morrigan, "Whatever It Is, You Can Face It"

Who’s this with us?



A tree with two black birds

Ravens!



Clearly

And they’re in love.



Nuzzling

Just as crows and ravens quickly let each other know which of the humans around are kind and unkind, word seems to get around to gods, too.

Not long then, and you become what my dear departed druid friend Judith O’Grady called ‘the gods-bothered.’ You bothered, so they bothered, and then it’s all bothering from then on out, though of course it’s never really a bother, at all. It’s actually quite a joy . . . .

—Rhyd Wildermuth, "Worlding into the Earth"

It’s portals all the way through.



The ravens pausing, forming a kind of portal between their hearts

In my youth I was sad indeed, and all things seemed dark and distant.

Today, all is radiant and near, and for this I would live my youth and the pain of my youth, again and yet again.

—Kahlil Gibran, “Youth and Age”


A display of Twenty-Four Blackbirds brand chocolate bars—with a raven illustration

And so we must go.



A raven watching us leave

If I were religious, I would believe I met an angel. (I’m pretty spiritual, I’d say. I believe in something.)

—Alison Tyler, “What I Am.”

We have more love to explore.



The raven tree, receding

“. . . Listen, of course you’re nervous but here’s the deal: you’re ready for all the bad stuff. You’ve been very tired before. You’ve been in pain before. You’ve been worried about money before. You’ve felt like an incapable moron before. So you’ll be fine with the difficult parts! You’re already a pro. What you're NOT ready for is the wonderful parts. NOTHING can prepare you for how amazing this will be. There is no practice for that.”

—Rob Delaney, A Heart That Works

We cross the bridge when we get to it.



A plank across a small trough between sandstone parts of a beach

Not anyone who says, “I’m going to be
careful and smart in matters of love,”
who says, “I’m going to choose slowly,”
but only those lovers who didn’t choose at all
but were, as it were, chosen
by something invisible and powerful and uncontrollable
and beautiful and possibly even
unsuitable—
only those know what I’m talking about
in this talking about love.

—Mary Oliver

I slip and fall in poison-oak water, but it’s okay.



A couple of planks, one askew and splattered, through a marshy spot

It gives me something to remember the magic by.



Legs in green-patterned leggings, hitherto to be known as my poison-oak pants

Thus the bridge burns but is not consumed.



The crown of an oak tree in a hot-pink sky

We see red.


With my most recent bout of poison oak, I thought about how suffering seemed more powerful than joy, because while one part of my body is suffering, no matter how good another part might be treated, the suffering sucks most of my attention. Your story of the man and the dog tells me how good wins, though. It's not about defeating suffering head on in a power struggle but about how one little moment of beauty in the midst of ugliness shines extra bright.

Like yesterday: I was leaving a parking lot of strip malls after having been harangued (for the second time that day) by someone who turned into my parking aisle after I was already half-backed out, presumably because I should have anticipated that someone might turn in, and therefore remained in my parking spot forever . . . ? My thoughts were naturally waxing grim. Just then, as l waited in a line of cars at a stoplight next to a gas station, a little miller-moth swirled up from somewhere in my car, made a spiral in front of me, and then vanished. It lit me up in such an incongruous way that it left a bright, invisible lingering mothglow.

—My comment to Alison Tyler on her post, “What I Am.”

What on Earth . . . ? I’ve seen this red before!



A red swatch of knitted cloth, hanging from a bush

It’s a Podbelt cover I lost months ago! This is nuts!

I long since knitted another one.


A red knitted swatch of cloth covering a belt wallet

Now they can be together, the more magical for the extra adventure.


The thing you have to remember is that human beings are kind. Beneath it all, past all the terrible structures we’ve built to subsidize cruelty, away from the force of social pressure and the insecurity that always prompts our wounded aggression, people are kind. Not always, not to everyone, I know, I know, I know. But the human heart wants to be kind; it takes all the weight of our immense pathologies to render it cruel. It’s true though that people are only ever kind when they can apprehend the real human before them. . . . The kids in school when I was young, though, were mostly kind. I tell you true, they were kind. And the handful that were cruel in middle school mostly grew to become my friends as we got older. What could be a better outcome? . . .

I feel like our culture constantly suborns a wounded attachment to outsider status, teaches our young people that hanging onto resentment is a form of integrity, but it’s healthier and wiser to look for all the ways people are reaching out to you, even in the depths of your alienation. I will always remember that people were kind to me, in elementary school and high school and college and beyond.

They had to be kind because I was fucked up.

—Freddie deBoer, "weird"

This one’s had an adventure, too. Do their people miss them?


A madrone driftlog with red underbark exposed

Did they leave seeds or nuts behind?


Two peanuts far apart on a deck railing

You’re a nut.



A beach walnut held up to my beach shadow

From a bumper crop.



An orange boat-bumper on a beach


Like a fever, insanity is not a state that can go on indefinitely. It is dangerous and it can kill us. But the thing it is trying to heal, while perhaps subtle and insidious and hidden and denied, is also dangerous and could also kill us. The thing that people don’t understand is that people don’t go crazy if there is any better choice. We go crazy because we have to, because the alternative is worse.

I want us to welcome back the crazy parts of ourselves, to find them and return them to their place in our wholeness, to rescue them from exile and finally recognize and express gratitude for their brilliance.

—Clementine Morrigan, "Ambassador of the Underworld"

Hallo, what’s this?



A huge, cylindrical chunk of rusted metal on its side, partially buried in sand

Whatever it is, it’s big and old.



An orange-thing closeup portrait


What I saw took me to my knees. I’ve never been so undone by anything as I was by the sight of Meg’s face at what I guess was around seventy-five years old. “I know this woman,” I gasped. “I know her.” She was so stunning I couldn’t stop kissing the screen. I pressed my lips to the lifelines of her wrinkles, the garden of her silver hair. Every age spot was a lucky penny falling into the wishing well of my chest. “I love her, I love her, I love her!” I kept crying, and only then did I realize how much I’d feared the possibility of never laying eyes on that version of my love. I traced my finger through the valleys of her laugh lines, and felt a peace unlike anything I’d ever experienced. A peace that seemed wildly incongruent with the news we’d just received. A peace that made no sense to me, until I found its source.

Let me try to explain. Never in my life had I seen myself so clearly as I did when I saw Meg like that. No photo had ever captured me with more exacting detail than a photo of Meg old. I had never felt so infinite, so unsinkable, so buoyed by love. I could see myself living in Meg’s eyes. I could see my spirit in the shyness of her smile. I could see that we were still together and always would be, whether I had a body of my own or not. And in seeing that, I understood anew that I could not die. None of us can. We live on in each other. We are each other already.

. . . Staring into my own ancient eyes, I knew that every wrinkle on my face had the name of someone I loved.
I have so many wrinkles, I thought, because I have loved so many people.

—Andrea Gibson, “The Surprising Gift of the ‘Old Age’ Filter”

It has sand in its eye.



In a big orange hole

I think we’ll let it be.

There it shall remain.



The thing from the other side, with a set of footprints bouncing around it

. . . What an orange thing, though!



From the other other side

(It’s hard to let go.)



Coming back around

I mean, what do you think that is for?



An orange thing sticking out of the orange thing

Worlds stick out of worlds.



Sticking out of an embankment, a stick that looks like a dragon head with the Sun coming out of the forehead

Incidentally, a dragon bit my heel, telling me to take it slow.



A bare heel with a sandy gouge in it

It hurts worse than it looks.


I did think, let’s go about this slowly.
This is important. This should take
some really deep thought. We should take
small thoughtful steps.

But, bless us, we didn’t.

—Mary Oliver

Things stick out for a reason. This dragon is telling us something, too.



The dragon-stick pointing at the orange boat-bumper

Ah yes, we’ll take this smaller orange thing as a memento and protect the beach from its disintegration—as Paddy here should have done.



An empty shot-bottle of Paddy’s Old Irish Whiskey

Not to worry, Paddy; we’ll take you, too. True justice is forgiveness—while protecting what one loves and righting the wrongs. It is just us, after all.



A wide, smooth, empty beach leading toward the distant Sun


There, in that wilderness so anciently unchanged it might have seen a hundred cultures flower and die, there you realize—you must—that what is you, what feels and fears and hungers and exalts, is ancient as the wilderness itself, rich as the wilderness and kin to it.

—Rockwell Kent,
Wilderness

And it’s that.



A set of footprints in front of a clifflike sand formation

And that.



A sweep of beach with a red-and-white boat bumper floating out past a low rock shelf

So close.



The bumper, closer

If I weren’t fully dressed, and if the weather weren’t so chilly, we’d have a new friend.



Closer still, almost within reach

We wait for Patrick for a while.



A closeup of the bumper, revealing the words “Patrick” H-something written on it

He never comes in.



Farther out again.

Goodbye, Patrick.


We often learn a great deal, and embark on powerful journeys, on quests for things we perceive ourselves as lacking. There is an element of the Holy Grail to this: we may never find the Grail, but a huge transformation occurs along the way.

—Imelda Almqvist, "Spiritual Narcissism—Part 2"

The way ahead beckons.



Footprints up ahead in the middle of wet sand, picking up as if having materialized from out of nowhere

We must go on.


These are the times in life—when nothing happens—but in quietness the soul expands.

—Rockwell Kent,
Wilderness


A New Stage

21 January 2024

What better time to move on, to start anew, than with the waxing of the newest moon of a new year? It fits my recent theme of wilding—in this case, with Neocities: reteaching myself HTML, hearkening back to a Wilder World Web, unraveling threads of recent endeavors to take back the reins, my reign, sovereignty over my story—and weaving it, to whatever extent we want, with yours.


Our most fulfilling personal relationships may come in ways we weren’t looking for. Our most fulfilling work may happen in arenas we never planned to reach.

. . . Embrace that the best things can also be the ones we weren’t looking for, and the greatest satisfaction can come from being surprised.

—Jason Feifer, “A Better Way to Get What You Need”


Lovebirds (ravens) in a tree

I never thought I’d live in cities again, but then I never thought of cities as more than brick and mortar, concete and steel . . . until now, when it occurs to me that there are neocities in my dreams—cities that are both new and very old: metropolises of trees, of other wild creatures, of spirits in windswept reaches.


city

a thing, event, or situation that is strongly characterized by a specified quintessential feature or quality

The movie was shoot-out city.
Getting lost in the maze was panic city.

—Merriam-Webster.com, “city” definition #4

Superball’s sagas are serendipity city. They’re like riding a purple unicorn into the Ice Palace—crystal city!—and being tricked by an evil leprechaun . . . and then getting wise to the leprechaun’s ways and looping back around to the Ice Palace to uncover what’s hidden there.


Residents believe this Palace of Ice will lift spirits and bring back prosperity. . . .

Darkness all around made the Palace shine like a star leading them forward. Gas lamps illuminated ramparts, and archways glowed with such blue lights that June thought for a moment that the ice vision was floating off the earth into air.

—Barbara L. Baer,
The Ice Palace Waltz

My latest pullback from humanity began in November, when, done with the drama, I broke up with my favorite café of four and a half years.


A day’s fiery end in the west


When he finished serving and returned to Westville, Wilde gave up the pretense of trying to assimilate into “normal” society.

—Harlan Coben,
The Boy from the Woods

December, ever revolutionary, saw me freed from a social engagement on solstice night without enough time to get home before the exact moment of the solstice to do a ritual as usual.

I poked my head into a beloved bar one last time before its permanent closure, but it was noisy, stuffy, and crowded, so I poked right back out.


Social establishment receding into the night

Time to set myself a new stage. But where?


At such a distance, with so little time together, she often felt overcome by doubts, as if the night at the Ice Palace and his declaration were a dream.

—Barbara L. Baer,
The Ice Palace Waltz


Twilight road toward a bright spike (tree of lights) and a distant pink plume (of cloud)

With minutes to spare, I came to it: a favorite stump.


Me on my stump

There I could breathe.


Nature was just this hugely, perpetually safe place. I am someone with a lot of feelings, and therefore, the human world can sometimes be this minefield of, “Oops, I made someone mad,” or “I feel guilty.”

. . . And throughout my childhood and then just throughout my whole life, it just is this realm where I feel safe, I feel rejuvenated, and I feel it’s easier to access my wonder and my questions.

—Lulu Miller, in Shannon Henry Kleiber’s “A Sense of Wonder through the Eyes—and Ears—of a Child”

The Moon, silvery, whispered of green and growing things.


Through the leaves of the stump’s sheltering tree

I took the photo of the hiding, hiding peeking sun with my iPhone and made some saturation adjustments. Simple and to the point. Holiday vibes. Dark. Fitting. May we come to light.

—Amanda Palmer, “Madonna’s ‘Live to Tell,’ for Patrons”


Yule tree on a fishing shack, under a cloud-shrouded sun

When I asked when, the Moon said soonish.


A can, in yellows, of Soonish Natural Beer, depicting a rising or setting moon or sun (probably a setting sun, in sequence from top to bottom)


When I run after what I think I want, my days are a furnace of stress and anxiety; if I sit in my own place of patience, what I need flows to me, and without pain. From this I understand that what I want also wants me, is looking for me and attracting me. There is a great secret here for anyone who can grasp it.

—Jalal al-Din Rumi

I didn’t drink it all in yet. I wanted to get home, though I wasn’t looking forward to juggling my stuff and my phone’s flashlight up the steep trail, especially after having been housesitting for two and a half weeks. Anything can happen in a 10 x 17 tent open to the elementals.


Water elemental (sea lion)

I needn’t have worried. The Tenterraces are protected.

On the road home, Fox crossed my path.


Not a towel-fox like this one, but same idea

As I pulled into my parking spot, the Moon, though not yet full, illuminated the steep slope above. Leaving my phone light off, I gathered the few things I needed from Arlin, my car, and started up.


Into redwood-pillared sanctuary

The whole five-minute trek, through the occasional strand of glimmering spider silk, required no electric light. The plants and leaves lining the way seemed to glow as they brushed up against me like loved ones welcoming me home, chanting a benevolent spell.


The clarinet player swayed like a snake charmer until he seemed to float up above her on the high ceilings. She listened with closed eyes, feeling only the tears that moistened her cheeks.

“Why are you crying, Miss?” The clarinetist had returned and was kneeling before her. “Come to the window and breathe fresh air. Snow is falling.”

“What is your name?” she asked.

—Barbara L. Baer,
The Ice Palace Waltz


Night-shining sky, filtered through oak and redwood silhouettes

Where trees cast the path in moonshadow, I knew it well enough, after almost five years, that I could sense my way, even through the thick vegetation between the well-lit Upper Terrace and the Lower, where the tent, Der Wilderbunker, nestles in its own little hollow. I lit my two solstice candles, one for the past year and one for the coming, by feel and by moonlight.

Once settled for the night, I wrote “World-weariness” on one piece of paper and “A joyous, easy expression of my gifts, as I am” on another. These I burned in their respective candles, releasing the former to the past and welcoming the latter for the Sun to come.


The future-lantern alight

The future is bright.


The inspiration for this piece came from my Grandma Faye, who, after leaving her body, told me she is more here than she ever was before.

LOVE LETTER FROM THE AFTERLIFE

. . . One day you will understand. One day you will know why I read the poetry of your grief to those waiting to be born, and they are all the more excited. . . . I wish you could see the beauty your spirit is right now making of your pain, your deep-seated fears playing musical chairs, laughing at how real they are not. My love, I want to sing it through the rafters of your bones,
Dying is the opposite of leaving. . . . It was me who was up all night gathering sunflowers into your chest the last day you feared you would never again wake up feeling lighthearted. . . . I promise one day you will feel it too—I can’t believe I ever thought I could lose you.

—Andrea Gibson, “Love Letter from the Afterlife”

Here it comes.


Daybreak, filtered through misty redwoods and madrones over ceanothus

The Blue Bird of Happiness beckons.


In this case, Stellar Jay


. . . As I was working on my laptop outside, I absentmindedly brushed something off the laptop and sent the little blue crystal, which I prop up under the monitor, flying—right through a gap in the planks of the deck. I’ve had it for many years and had kept it with my laptop as a wise, ancient friend from when I first started Daniel Foor’s Practical Animism course. I wondered if the crystal wanted to live here now—if it would be lost among the rubble and vegetation under the house. But . . . it was positioned perfectly on a little stump, partly held by peeling bark, shining in a ray of sunlight.

—Me, in a text to my friend Facet 44

The portal is opened.


A shaft of forest light

There’s no going back now.


Sun coming up, Stellar Jay still presiding

Who would want to?


Stellar Jay at the birdbath, eyeing a peanut

Everything we need is here.


Stellar Jay with peanut

The Blue Bird of Happiness is always glad at a chance for expression.


Stellar Jay with peanut, looking at us


Every time I give something away, what comes back to me is freedom.

—Byron Katie


Stream coming back after being a cloud

Once we see why, we see why everywhere.


“Y” tree with a bright (lens-flare-green) heart

Here we go!


Stream and trail leading roughly toward the Sun

I got you this flower.


A lone purple iris

We do not need this thneed.


Hanging on a branch, a reddish sweater resembling the useless, wasteful product in Dr. Seuss’s The Lorax

Now I think we’re getting somewhere.


Sunlight beaming over rock formations on a green hill

This is why we do what we do.


A tree silhouetted against the Sunpath on the ocean